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	<title>Comments on: Studio equipment Connections (Part 2)</title>
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	<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2</link>
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		<title>By: rocksolid76</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1130</link>
		<dc:creator>rocksolid76</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:38 +0000</pubDate>
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		<description>&lt;b&gt;I thought of ...&lt;/b&gt; &lt;br&gt; I thought of removing your silly comment but strongly decided against it. The BLING you refer to doesn&#039;t make sense at all and secondly on a more profound note, the tacky foam you make mention off are ISO panels which re NOT designed for total sound absorption or immediate isolation but to carefully reduce wave blur and compensate for reflections and counter wave movements in your floating sound spectrum. Think before you criticize or rather ask questions &amp; you&#039;ll be told the answers.</description>
		<content:encoded><![CDATA[<p><b>I thought of &#8230;</b> <br /> I thought of removing your silly comment but strongly decided against it. The BLING you refer to doesn&#8217;t make sense at all and secondly on a more profound note, the tacky foam you make mention off are ISO panels which re NOT designed for total sound absorption or immediate isolation but to carefully reduce wave blur and compensate for reflections and counter wave movements in your floating sound spectrum. Think before you criticize or rather ask questions &amp; you&#8217;ll be told the answers.</p>
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		<title>By: DubAura</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1131</link>
		<dc:creator>DubAura</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1131</guid>
		<description>&lt;b&gt;Damn, I gotta say ...&lt;/b&gt; &lt;br&gt; Damn, I gotta say for a sound engineer, he knows more about &#039;Bling&#039; than he does acoustics. he&#039;s got 2 pairs of nice monitor speakers there, and noticably tacky foam on his walls. No point putting nice monitors in if your room is gonna color the sound. I know there aint much bling in $3000 worth of acoustic treatment though, peace!</description>
		<content:encoded><![CDATA[<p><b>Damn, I gotta say &#8230;</b> <br /> Damn, I gotta say for a sound engineer, he knows more about &#8216;Bling&#8217; than he does acoustics. he&#8217;s got 2 pairs of nice monitor speakers there, and noticably tacky foam on his walls. No point putting nice monitors in if your room is gonna color the sound. I know there aint much bling in $3000 worth of acoustic treatment though, peace!</p>
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		<title>By: Mechie1500</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1132</link>
		<dc:creator>Mechie1500</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1132</guid>
		<description>&lt;b&gt;Damn! Count How ...&lt;/b&gt; &lt;br&gt; Damn! Count How Many Times he Said (actually) LMAO</description>
		<content:encoded><![CDATA[<p><b>Damn! Count How &#8230;</b> <br /> Damn! Count How Many Times he Said (actually) LMAO</p>
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		<title>By: kalkanciii</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1133</link>
		<dc:creator>kalkanciii</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1133</guid>
		<description>&lt;b&gt;witch mic do you ...&lt;/b&gt; &lt;br&gt; witch mic do you prefer</description>
		<content:encoded><![CDATA[<p><b>witch mic do you &#8230;</b> <br /> witch mic do you prefer</p>
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		<title>By: irockyouroll</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1134</link>
		<dc:creator>irockyouroll</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:38 +0000</pubDate>
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		<description>&lt;b&gt;extremely helpful ...&lt;/b&gt; &lt;br&gt; extremely helpful thx</description>
		<content:encoded><![CDATA[<p><b>extremely helpful &#8230;</b> <br /> extremely helpful thx</p>
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		<title>By: rocksolid76</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1122</link>
		<dc:creator>rocksolid76</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1122</guid>
		<description>&lt;b&gt;Control Rooms ...&lt;/b&gt; &lt;br&gt; Control Rooms should be as neutral as possible, in other words they should add no coloration whatsoever to the sound coming out of the monitor loudspeakers (in an ideal case, you should not hear the room coloring at all).</description>
		<content:encoded><![CDATA[<p><b>Control Rooms &#8230;</b> <br /> Control Rooms should be as neutral as possible, in other words they should add no coloration whatsoever to the sound coming out of the monitor loudspeakers (in an ideal case, you should not hear the room coloring at all).</p>
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		<title>By: rocksolid76</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1123</link>
		<dc:creator>rocksolid76</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1123</guid>
		<description>&lt;b&gt;Frequency Response: ...&lt;/b&gt; &lt;br&gt; Frequency Response: depends from size, shape and absorption coefficients
Doors and windows construction and placement;
Furniture, placement of equipment (mixer, effect racks, etc.), instruments, etc.;
In a control room, the placement of loudspeakers (flush mounted main monitors, midfield, nearfield).
Acoustical Requirements
The sound requirements for control rooms can be very different from those of recording rooms.</description>
		<content:encoded><![CDATA[<p><b>Frequency Response: &#8230;</b> <br /> Frequency Response: depends from size, shape and absorption coefficients<br />
Doors and windows construction and placement;<br />
Furniture, placement of equipment (mixer, effect racks, etc.), instruments, etc.;<br />
In a control room, the placement of loudspeakers (flush mounted main monitors, midfield, nearfield).<br />
Acoustical Requirements<br />
The sound requirements for control rooms can be very different from those of recording rooms.</p>
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	<item>
		<title>By: rocksolid76</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1124</link>
		<dc:creator>rocksolid76</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1124</guid>
		<description>&lt;b&gt;Acoustic Control
A ...&lt;/b&gt; &lt;br&gt; Acoustic Control
A lot of different factors contribute to the sound of a room:
Room size: affects both the low frequency response and the room cutoff frequency, as well as rev. time;
Room shape and proportions (room dimensions, parallel or non parallel surfaces): affect the resonance modes and the frequency response, and the diffusion of the reverberation;
Reverberation time: depends on the room size as well as the absorption coefficients  of the materials used for all surfaces.</description>
		<content:encoded><![CDATA[<p><b>Acoustic Control<br />
A &#8230;</b> <br /> Acoustic Control<br />
A lot of different factors contribute to the sound of a room:<br />
Room size: affects both the low frequency response and the room cutoff frequency, as well as rev. time;<br />
Room shape and proportions (room dimensions, parallel or non parallel surfaces): affect the resonance modes and the frequency response, and the diffusion of the reverberation;<br />
Reverberation time: depends on the room size as well as the absorption coefficients  of the materials used for all surfaces.</p>
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	<item>
		<title>By: rocksolid76</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1125</link>
		<dc:creator>rocksolid76</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1125</guid>
		<description>&lt;b&gt;Acoustic Control
A ...&lt;/b&gt; &lt;br&gt; Acoustic Control
A lot of different factors contribute to the sound of a room:
Room size: affects both the low frequency response and the room cutoff frequency, as well as rev. time;
Room shape and proportions (room dimensions, parallel or non parallel surfaces): affect the resonance modes and the frequency response, and the diffusion of the reverberation;</description>
		<content:encoded><![CDATA[<p><b>Acoustic Control<br />
A &#8230;</b> <br /> Acoustic Control<br />
A lot of different factors contribute to the sound of a room:<br />
Room size: affects both the low frequency response and the room cutoff frequency, as well as rev. time;<br />
Room shape and proportions (room dimensions, parallel or non parallel surfaces): affect the resonance modes and the frequency response, and the diffusion of the reverberation;</p>
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	<item>
		<title>By: rocksolid76</title>
		<link>http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2/comment-page-1#comment-1126</link>
		<dc:creator>rocksolid76</dc:creator>
		<pubDate>Sat, 26 Dec 2009 18:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.c06studio.com/studio-equipment/studio-equipment-connections-part-2#comment-1126</guid>
		<description>&lt;b&gt;How can you tell ...&lt;/b&gt; &lt;br&gt; How can you tell from the video here that the auralex blocks used are cheap studio foam. Besides the studio itself being a room inside a room, the idea was to cut reflections and have at least reasonable control of the dispersion and flutter echo. As you&#039;d probably see from the vocal area, the issue isn&#039;t coving the whole studio or otherwise but to manage it and keep some of the natural ambiance within it without destroying it&#039;s characteristics. I do KNOW a lot about basic acoustics.</description>
		<content:encoded><![CDATA[<p><b>How can you tell &#8230;</b> <br /> How can you tell from the video here that the auralex blocks used are cheap studio foam. Besides the studio itself being a room inside a room, the idea was to cut reflections and have at least reasonable control of the dispersion and flutter echo. As you&#8217;d probably see from the vocal area, the issue isn&#8217;t coving the whole studio or otherwise but to manage it and keep some of the natural ambiance within it without destroying it&#8217;s characteristics. I do KNOW a lot about basic acoustics.</p>
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